DISCARDED SELF is Jarret Beach's (Destroy My Brains/Ashes of Yggdrasil) solo project, featuring local drummers from his area in Alberta, Canada. The material mainly focuses on topics such as pain, misery, the occult, rebellion, mind control, marginalization, torture, drug abuse and suicide, and can be described as blackened/sludge doom metal.
DISCARDED SELF has released "Orbitoclast", the first track from their eponymous debut album, due for release on Sarcophagus Recordings on April 30th.
Beach describes "Orbitoclast" thusly:
“The
song Orbitoclast is a collection of riffs and vocal ideas I actually started
this project with. It starts off slow, but gets straight down to it with a
thrashy section that has shredding vocals bleeding all over it. For those that
aren't aware, an Orbitoclast is the instrument that is hammered into a person's
brain, when they were the poor individual who received a lobotomy in the
late 40's early 50's. The song is of course about the horrifying practice of
lobotomy, but has an extra hidden meaning. It's a metaphor for giving your
trust to someone who doesn't have your best interests in mind, and only their
own personal interest, with no concern of who they damage along the way.”
Album reviews, interviews, news and updates from the underground rock and metal scene.
Viser innlegg med etiketten doom metal. Vis alle innlegg
Viser innlegg med etiketten doom metal. Vis alle innlegg
tirsdag 23. februar 2021
DISCARDED SELF releases first track from upcoming full length debut
DISCARDED SELF on social media:
Listen to "Orbitoclast" here:
mandag 18. november 2019
ALBUM REVIEW: G.R.I.M. - Descensus ad Inferos - Shades of Sheol
G.R.I.M. (Norway)
"Descensus ad Inferos - Shades of Sheol"
(Flap A Scale)
Release date: November 1st 2019
Genre: Doom metal, atmospheric metal
Links:
Spotify
Website
G.R.I.M. is a fairly new ensemble from Oslo, Ås in the Akershus municipality and Askim, which is located in the Østfold county. The group is a constellation of members from various bands that belong to a conglomerate they call "Neverton United", and was put into existence in 2017 when singer Lars Martin Gimse and guitarist Dan Are Rui Christiansen found out they both had material that wouldn't fit into any of their other respective musical playgrounds. After completing the song writing process they reached out to the other members from said conglomerate of bands, and G.R.I.M. began recording their debut album in Christiansen's home studio last year.
The result of this process is the album we're having a look at today, and "Descensus ad Inferos - Shades of Sheol" is a four track album filled to the brim with dark, atmospheric epics that are collectively branded as "a philosophic exercise" and "the soundtrack to armageddon". The lyrics are mainly based around misanthropy, hopelessness and despair, and are therefore a perfect fit to the band's overall expression.
G.R.I.M.'s music is presented with a lush production that tempts the listener to sink into the dark ambience. A rich variety of riffs and melodies turn these four tracks into more than just the average doom metal record, and in terms of tempo there is a lot more energy present during the album's 41 minutes of duration.
A very enjoyable first meeting with this quintet from the south/eastern part of Norway, and if you're into dark atmospheric music I am convinced that you'll find "Descensus ad Inferos - Shades of Sheol" just as pleasurable as this writer did.
★★★★★★★★★☆
Tracklist:
1. Diary of a Misanthroposophist
2. The Decline of Society
3. The Age of Misology
4. Push the Button
LINE UP:
Lars Martin Gimse - vocals
Dan Are Rui Christiansen - guitar
Øystein Koppang - guitar
Hand Marius Haukedal - bass
Knut Martin Myklebust - drums
torsdag 24. oktober 2019
ALBUM REVIEW: Gévaudan - Iter
GÉVAUDAN (England)
"Iter"
(Independent)
Release date: October 4th 2019
Genre: Doom metal
Links:
England has produced a vast number of doom metal bands, starting in the early seventies with Black Sabbath and Pentagram, among others. Bands like Cathedral, Paradise Lost and My Dying Bride were probably among the most prominent names at the time, and though Black Sabbath and Cathedral are no longer active the remaining bands still are, and have continued to add material to their discographies.
That being said, the British underground doom metal scene is flourishing with new bands popping up continuously, and since the beginning of this blog page this writer has been fortunate enough to discover quite an amount of such acts.
The most recent band I have been introduced to is GÉVAUDAN. Formed in 2013 in Hertfordshire in the southeast of England, I would believe their music is inspired by their own local history, though this is not confirmed by the band themselves. Hertfordshire is an area in Hertford that was assigned to a fortress that was ruled by Edward the Elder in the year 913. He was King of the Anglo-Saxons from 899 until his death 25 years later, and as this area is now as one of the eight home counties that surround London, I imagine Hertfordshire's inhabitants are proud of their history.
GÉVAUDAN's music is dark and gloomy, just like you probably would expect from anything in this genre. "Iter" is their first full length album, although they have two EP's released in 2014 and 2016, and a single that came out in 2015.
The almost eleven minute long "Dawntreader" is the first out of five tracks on the album, and takes the listener through an atmospheric intro with delayed guitars and soothing vocals. It is hard to keep my mind from wandering off into the realm that is created by just guitars and vocals, but that's the genius with this type of music. Nothing happens fast, and it allows the listener to get emotionally involved. The first half of the song is more atmosphere oriented, but builds up and unleashes emotional fury towards the end. A good opening track that leaves a good first impression of the band.
Whereas "Dawntreader" was focused on atmosphere, "Maelstrom" is slightly more riff oriented, sludgy and epic. An obvious reference to Bruce Hamilton's riffs would be Tony Iommi himself, as he creates great melodic riffs that can easily be compared to anything from "Vol. 4", which becomes even more prominent on the next track as well.
"The Great Heathen Army" shows an even more melodic side of GÉVAUDAN. The riffs are varied with more detail and color, and the lyrics are no less than a real treat. "Saints of Blood" incorporates more of the ambience that the delayed guitars created, and I feel the material is becoming a bit repetitive. Not in the sense that riffs are being repeated forever, but this song particularly has the same kind of feel that "Maelstrom" had. Not at all a weak track, but it loses a bit of identity along with the prior tracks.
"Duskwalker" is the album's grand finale, clocking in at just over fifteen minutes. Another composition with a lengthy ambient intro, but the epics are supposed to be like this, right?
In conclusion, GÉVAUDAN's debut is a very promising effort done by the band. "Iter" might be an album that needs a few rounds before it really gets under your skin, but be sure it is an album that is made to take you on a journey.
★★★★★★★☆☆☆
Tracklist:
1. Dawntreader
2. Maelstrom
3. The Great Heathen Army
4. Saints of Blood
5. Duskwalker
LINE UP:
Adam Pirmohamed - vocals
Bruce Hamilton - guitar
Andy Salt - bass
David Himbury - drums
fredag 9. august 2019
SINGLE REVIEW: Arshenic - Dear Remorse
ARSHENIC (Poland)
"Dear Remorse"
(Sliptrick Records)
Release date: May 15th 2019
Genre: Alternative metal, gothic rock, doom metal
Links:
Youtube
Spotify
Poland is perhaps not the country in the world that is most recognized in the metal community, with the exception of Decapitated, Behemoth and Vader, just to name a few.
ARSHENIC is located in Gdańsk in northern Poland, and were formed by singer, lyricist and composer Ofilia in 2007. The band released their eponymous debut album in 2009, and during the next three years they continued playing live, including an appearance on Polish TV on the "Must Be The Music" show, where they did a metal cover version of Lady Gaga's "Paparazzi". Five years into its existence the band went on hiatus between 2012-2014, and after a few personell changes they started working on a new music in 2015. The three track EP "Erased" came out the year after. The last addition to their discography was 2017's "Monster" single, which was their way of showing their support to animal welfare activities, and the music video was partially filmed at an animal shelter.
ARSHENIC is inpired by the darker side of the rock scene. Alternative rock/metal, art rock, gothic and melodic rock and metal. Quite the mixture if you start blending all these influences together, right?
Their first album was a bit more straight hard rock/metal oriented, at times with ever so slight hints of punk, as well as being entirely sung in the Polish language. At times there are the more melancholic passages that showed a different side of the band, and over the years the band seems to have developed quite a lot more towards their inspirational references.
ARSHENIC are due with their second full length album "Final Collision" on August 20th, with Sliptrick Records being the supporting label. The single "Dear Remorse" was released as single in mid-May this year, and the video has already reached over 28000 views on YouTube. The link to the video can be found in the details section on top of this review.
So, how does it sound? ARSHENIC anno 2019 has a more melancholic sound and expression than what was the case ten years ago. "Dear Remorse" is more doomy, and I'm hearing a lot of Candlemass during the opening bars. Singer Ofilia has a voice that is very typical to the more modern female fronted bands, and she brings the emotion that for example Amy Lee also does in Evanescence's music.
The song is quite downbeat, but it never lacks the strength, and it has a nice modern touch even though the band manages to deliver music that has a bit of a timeless and epic feel. It's never anywhere close to being technically challenging, but what they bring in terms of atmosphere and dark, melodic melancholy makes ARSHENIC a fine addition to Poland's rock and metal repertoire.
★★★★★★★★☆☆
Ofilia - vocals
Włuczykij - drums
Marek - bass
Vlad - guitar
torsdag 8. august 2019
INTERVIEW - Serpent Rise
SERPENT RISE is a Brazilian doom/gothic/atmospheric metal band that has been around for a long time, and they were founded back in early 1993, back when groups like Paradise Lost, Tiamat, My Dying Bride and Cathedral made albums that already then were considered as classics. SERPENT RISE has to this date only released one album, 1998's "Gathered By...Kharma", after a handful of demo releases during the earlier years of the nineties.
The album suffered the same fate as many others in this business, and were neglected by the label that was responsible for the release, and consequently they never got the attention they deserved.
Twenty years later, in 2018, the album has been reissued as a double CD with an entire disc full of bonus tracks, including the demos "Anastendárides" and "Travellin' Free", and all the material has been remastered for the optimal listening experience. The anniversary edition was released by Nuktemeron Productions and limited to 500 copies, and you can read my review somewhere else on this blog.
Anyone who has followed SERPENT RISE are already aware of the fact that you are a band with quite a long history behind you. Some of us have not been as fortunate, so maybe you could start off by telling us how it all started?
Founding member Agnaldo Gomes (vocals) gives the answers:
SERPENT RISE started in 1993, and Julio (Wojciechowski, guitars, bass, keys) and myself are the founding members. During the twenty-six years of the band's existence it has had numerous line up changes, and despite periods where there was total silence around the band, it never ceased to exist. Drummer Luis Henrique and myself live in different cities in the state of Rio Grande do Sul, but Julio lives 3000 kilometers away from us, in another state called Mato Grosso. We are currently just a three piece band, but on stage we have session members playing bass and keyboards.
Since you founded the band in the days when doom and gothic metal had its golden age, who were your main inspirations and influences to create your music? What inspires you to still make music?
Well, Julio and I have known each other since the mid-80's, and we have been playing together in several bands since then; Nuctemeron (death/black/grind), Garbage (death metal), Arcanum XIII (Dark metal) and of course SERPENT RISE. We were tape traders at the time, and we received new stuff from all over the world. This helped us to get inspiration and influences for the material we wrote for SERPENT RISE. Nowadays' access to information and music is much easier, with just a click, rather than waiting thirty days for a letter with K7 (demo tape).
This modern way of discovering new bands also inspires us, but we were young when we started the band, and we had not had all the experiences life has provided to us to this day. I am 51 years old, and Julio is very close to me in age, and we were very inspired by all these experiences to make SERPENT RISE's music.
Can you describe how a typical song writing process happens in SERPENT RISE? Who writes the music? What is your inspiration when it comes to writing lyrics?
In the band we have very well defined functions. I write lyrics, and I participate in the arrangement process. I manage the business, and Julio creates the songs in his studio (Loudness Art), where he also records all the instruments. My inspiration for writing lyrics comes from everything around me, whether it's visible or non-visible.
What is the meaning behind your band name? Is there any symbolism involved?
Julio and I never hid the fact that our main inspiration for founding SERPENT RISE was Cathedral's "Forest of Equilibrium" album. I remember Julio brought the name, and there was something about the "Serpent Eve" track that caught our attention, and we decided to naively start off with that name. Shortly after we found out the name is linked to Kundalini (sexual magic), and our name can be interpreted as something that is neither positive or negative. This inspired me to write the "I am the light and the darkness of myself" sentence, because every human being is both darkness and light searching for self-understanding in order to acheive balance.
You released an album back in 1998, after a handful of demo releases throughout the nineties. What happened to SERPENT RISE after the release of "Gathered By...Kharma", and what gave you the idea to rerelease it last year?
In 2009, Julio and I decided that we no longer needed to have a complete line up to move on with SERPENT RISE. Julio started building his Loudness Art recording studio to compose and record the band's songs. I started writing lyrics and working on spreading the SERPENT RISE name around to reach out to new listeners too, instead of letting it just stagnate with our past audience.
The album never ceased to be sought after by doom metal listeners. We received many emails and messages from people who wanted to buy it, so Nuktemeron Production gave us the honor of reissuing a commemorative limited double CD edition, twenty years after its initial release.
The interesting thing is that the album still sounds current and original in 2019. I am biased to speak about it, but I want to invite all readers to have a listen and make their own conclusions.
Are you active in terms of playing live?
Oh yes, we are active and playing live. Of course we are not a band that can play live every day or weekend here in Brazil, but when the offer is made in advance and covers the minimum of our needs, then we're happy. We're planning to make a small European tour when we manage to work out our vacations from our day jobs.
So, at last I just have to ask... Will you be releasing any new material soon?
Yes, we are working to make this happen as soon as possible. We're working very carefully to achieve a musical and lyrical result that does beyond anything we have done up to this date.
So, if you are a fan of nineties' doom and gothic metal, be sure to visit Nuktemeron Productions's webstore HERE and order your copy of a rare gem from the Brazilian metal scene.
mandag 5. august 2019
ALBUM REVIEW: Weltfremd - Nachwelt
WELTFREMD (Germany)
"Nachwelt"
(Independent)
Release date: September 6th 2019
Genre: Doom metal, sludge metal, black metal, atmospheric/ambient
Links:
BandCamp
From from Eisenach in central Germany comes WELTFREMD, a one man band that operates within the doom metal genre. Marco Bruder is the man behind it all, and since the inception in 2014 he has released three EP's, simply named "Eins, "Zwei" and "Drei", released in 2014, 2016 and 2017 respectively. The time has come for a full length album, and "Nachwelt" is due for release on BandCamp and every platform where you stream your favorite music.
"Acheron" is the opening track, which is very sludgy and doomy, and the guitars sound wonderfully dirty. The vocals are at the brink of sounding almost frantically choked at the beginning of the track, and towards the end they are more clean, yet not without a slight dramatic touch. "Styx" follows in the same vein, and parallells towards Hellhammer and early Celtic Frost are easily drawn.
"Lethe" is the shortest track on "Nachwelt", and is a slower and darker piece. Lo-fi drums and electronics make up the rhythm section during the first half, and the song becomes a comfortable break away from the more aggressive and brutal parts of the album.
After the shortest track on the album comes a series of epics, all of them between ten and eleven minutes long. Within the doom genre that's probably not particularly long at all. In fact, it's exactly how it should be. After a lengthy clean intro "Phlegeton" develops into a blacker side of the realm that is doom metal, before turning into a more stoner like metal track. What makes it even more interesting is that Herr Bruder chooses to deviate from the slow drum patterns and replaces them with more uptempo beats, just to add a little more finesse.
"Phlegeton" is a track that is rich on variety, and proves that this German "One Man Doom Machine" (as he fancies calling himself) can make a good composition in a slightly larger scale as well.
"Kokytos" is another epic, clocking in at ten minutes, and is more riff based rather than the previous track, which had a lot more different variety in texture and musical scenarios. "Elysion" features the use of cello, and serves as an instrumental conclusion to an album that should make WELTFREMD noticed in the underground doom metal scene.
★★★★★★★☆☆☆
WELTFREMD:
- Marco Bruder, songwriting, instrumentation, production
- Albrecht Probst - cello (session musician)
Tracklist:
1. Acheron
2. Styx
3. Lethe
4. Phlegeton
5. Kokytos
6. Elysion
Abonner på:
Innlegg (Atom)
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